“Forged in Hell and Heaven Sent”
18×24″ Acrylic on Stretched Canvas
$125

Forged in Hell and Heaven Sent is a work of sacred violence — a collision of opposing forces so complete that destruction and grace become indistinguishable from one another. Torrents of molten orange and searing red tear downward through the composition like rivers of fire, while cool expanses of sky blue, lavender, and deep violet rise to meet them, neither yielding, neither winning. The battlefield between these forces is extraordinarily detailed — a lacework of cracked, cellular forms where the two worlds interpenetrate, the heat of one bleaching and bubbling into the coolness of the other. It is in this middle territory, this contested space, that the painting’s real drama unfolds. Here, something new is being made — not fire, not sky, but a third thing that belongs to both.

Forged in Hell and Heaven Sent is a painting about transformation at its most costly — and most luminous.

“Birds of Paradise”
13×17″ Acrylic on Glass, Framed
$150

Painted on glass and presented in a white float frame, this luminous work blazes with crimson, burnt orange, and teal — a vivid collision of fire and cool water, framed like a window into another world.

“Master of the Universe”
16×20″ Acrylic on Stretched Canvas
$75

Master of the Universe is a work of elemental ferocity — a painting that feels less made than unleashed. Torrents of molten orange, crimson, and gold tear diagonally across a churning field of deep slate and midnight blue, evoking the violent, generative forces that shaped the cosmos itself: supernovae collapsing, magma breaching the ocean floor, matter being forged in the hearts of stars.

The acrylic pour technique serves the subject perfectly here. The paint’s natural behavior — its cellular blooming, its unpredictable pooling and fracturing — mirrors the very chaos it depicts. No hand could fully orchestrate this; it had to be partly surrendered to, collaborated with. In that tension between control and release lies the work’s central power.

“Take Me to the Speedway”
14×14″ Acrylic on Stretched Canvas
On Exhibition

Take Me to the Speedway hits like a green flag drop — all velocity, adrenaline, and barely contained forward momentum. A blazing vermillion border frames the composition like the painted curb of a track, containing a roiling interior of deep burgundy, copper, slate, and burnt orange that swirls and banks with the centrifugal logic of something moving very fast through a very tight turn.

The paint’s movement is the subject. Broad, sweeping arcs curve through the upper field like a wide racing line taken at full throttle, while the lower half fractures into the chaotic debris of acceleration — bubbled, pitted, scattered — the visual equivalent of tire smoke and g-force and the crowd noise that hits you in the chest before you can even process it. A flash of cool sky blue near the top corner offers the only breath of open air, a glimpse of sky above the grandstand.

Pedal down. Hold on.

“Verlaine Shot Rimbaud”
14×14″ Acrylic on Stretched Canvas
$75

Deep navy and purple erupt into blazing crimson and orange in a collision of cool and heat — turbulent, unresolved, and impossible to look away from. The tension never breaks.